ARCHIVEGRID

This year-long study conducted by the American Folklife Center yielded an ethnographic collection consisting of 196 hours of sound recordings covering a wide range of subjects and activities, including oral history interviews, religious services, musical events, parades and religious processions, ethnic festivals, ethnic restaurants, and neighborhood tours. An additional 23 hours of sound recordings of musical events and oral history interviews were copied from originals lent by Lowell residents. Collection materials also include correspondence; field notes; questionnaires; neighborhood maps; reports; publications; administrative files; interview transcripts; black-and-white photographic prints, contact sheets, and film negatives (ca. 10,000 images); and color slides and prints, (ca. 3,500 images) which documented community life in Lowell, Massachusetts from 1987 to 1988.

The Center for Documentary Studies is a center at Duke University established for the study of the documentary process. The color photographs and oral histories in the Five Farms: Stories From American Farm Families collection form part of a multimedia project carried out under the auspices of the Center for Documentary Studies. Beginning in March 2008, photographers Alix Lowrey Blair, Andrew Lewis, Tom Rankin, Elena Rue, and Steve Schapiro, along with audio specialists Ben Adler, Rob Dillard, Camille Lacapa, Susannah Lee, and John Biewen, each visited an American farm and documented the farm families' experiences over the course of a year. The locations for the Five Farms series are: a family farm on the Hopi Reservation in northeastern Arizona; an organic farm in California's Capay Valley; a dairy farm in western Massachusetts; a diversified farm in central Iowa; and an African American-owned hog farm in eastern North Carolina. Details on each farm are found in the series ...

Collection comprises 85 13x19 inch photographic prints and other documents related to the exhibit, "Phone Home Durham, 2015." The images were all taken by 50 citizens of Durham County, North Carolina, chiefly with mobile phones but also with handheld cameras, and are mostly color digital prints, with a few black-and-white prints. The photographers focused on urban settings, although there are a few rural images taken in Durham County. The images reflect society and customs in 21st century Durham, with subject content including protests relating to race issues, street scenes, graffiti, abandoned houses, local shops and businesses, industrial buildings, and a few landscapes with trees and sunsets. The exhibit prints are accompanied by exhibit guides and other publicity related to the 2015 exhibition, 23 photographers' statements, and the original exhibit proposal by Duke professor and photographer Tom Rankin. Acquired as part of the Archive of Documentary Arts at Duke University

The Tom Rankin photographs and papers collection consists of 147 black-and-white and color photographs documenting the American South and China, as well as supporting materials for Rankin's documentary projects. Photographs from the South focus on religious sites, rituals, and communities in the Mississippi Delta region, and includes Southern landscapes as well as portraits of individuals, including Mississippi writer Larry Brown. An additional documentary project from 2016 took Rankin to China, where he photographed semi-rural landscapes, often taken with high-rise buildings in the far distance or adjacent to industrial structures, as well as bridges and rivers, markets and live fish vendors, and a few street scenes. Finished prints range from 8x11 inch contact prints to 11x14, 16x20, and 20x24 large-format prints. Supporting materials include manuscripts, publications files, and two films, all deriving from Rankin's career and documentary practice. Includes a digital audio recording ...

This collection includes several Protestant church services, blues music and songs, toasts, tales, anecdotes and interviews which include biographical information and oral history and discussions about migration (e.g. to Indianapolis), race relations, funeral and marriage customs, honky-tonk music and a healer

This year-long study conducted by the American Folklife Center yielded an ethnographic collection consisting of 196 hours of sound recordings covering a wide range of subjects and activities, including oral history interviews, religious services and festivals (Catholic and Greek Orthodox holy week and Easter services and religious processions; a Cambodian Buddhist wedding ceremony; Cambodian and Laotian New Year's celebrations; Puerto Rican festivals), musical events, parades, ethnic restaurants, and neighborhood tours. An additional 23 hours of sound recordings of musical events and oral history interviews were copied from originals lent by Lowell residents. Collection materials also include correspondence; field notes; questionnaires; neighborhood maps; reports; publications; administrative files; interview transcripts; black-and-white photographic prints, contact sheets, and film negatives (ca. 10,000 images); and color slides and prints, (ca. 3,500 images) which documented ...

Collection comprises 85 13x19 inch photographic prints and other documents related to the exhibit, "Phone Home Durham, 2015." The images were all taken by 50 residents of Durham County, North Carolina, chiefly with mobile phones but also with handheld cameras, and are mostly color digital prints, with a few black-and-white prints. The photographers focused on urban settings, although there are a few rural images taken in Durham County. The images reflect society and customs in 21st century Durham, with subject content including protests relating to race issues, street scenes, graffiti, abandoned houses, local shops and businesses, industrial buildings, and a few landscapes with trees and sunsets. The exhibit prints are accompanied by exhibit guides and other publicity related to the 2015 exhibition, several photographers' statements, and the original exhibit proposal by Duke University professor and photographer Tom Rankin. The exhibit was co-curated by Aaron Canipe, Alexa Dilworth, ...

The Folkstreams, Inc. Collection consists of materials affiliated with Folkstreams.net, an online resource designed to disseminate documentary films about American folk culture. Produced by independent filmmakers, these films give voice to the arts and experience of diverse American groups. They are streamed on the website together with background materials that highlight the history and importance of the traditions and the films. Folkstreams.net was started in 2000 by independent filmmaker and distributor Tom Davenport in collaboration with his wife Miriam Davenport; folklorist Daniel Patterson; and a committee of filmmakers, scholars, and computer specialists. The collection consists primarily of moving image materials created and transferred for preservation purposes and for streaming on Folkstreams.net. The collection also includes scattered papers and born-digital materials related to Folkstreams.net and the moving image materials found in the collection

Southern Folklife Collection Moving Image Materials were compiled, 1972-1989, from various sources, including the University of North Carolina at Chapel Hill Folklore Department and the North Carolina Department of Cultural Resources. The collection includes videotapes on North Carolina and South Carolina history, town life, culture, religion, and churches; folklife, folk art, and folk music; African American music, dance, and verse; medicine shows; Confederate officer Zebulon Baird Vance; African American slave Denmark Vesey; musicians Pink Anderson, Henry Johnson, Willie Trice, Dink Roberts, Guitar Shorty, Jamie Alston, Wilber Atwater, Bascom Lamar Lunsford, and John Dee Holeman; the Blue Grass Rangers; folklorist Bruce Bastine; University of North Carolina at Chapel Hill professor Glenn Hinson; and filmmakers Tom Rankin, Beverly Boggs, Rosemarie Hester, Vik Lukas, Cecelia Conway, Tom Davenport, Joan Fenton, and Roger Manley. There are some interviews with and performances by blues ...

Collection (02-230) (6713 items, 13.3 lin. ft.; dated 1999-2002) documents the project, which explored community life, struggle, and change through photographs and recorded interviews in twelve communities in the United States at the end of the 20th century (North Pacific Coast, Alaska; Ithaca, N.Y.; San Francisco, Calif.; Navajo Nation; Eau Claire (neighborhood of Columbia), S.C.; Delray Beach, Fla.; Western North Carolina; Stony Brook, N.Y.; San Juan, Tex.; Chicago, Ill.; Philadelphia, Pa.; and Yaak Valley, Mont.). Collection contains primarily interview records, including 171 digital and 102 analog cassette tapes of the interviews, as well as tape lists, logs, and transcripts in both paper and digital formats. The collection also includes color slides; postcards and videocassette tapes from exhibits; a CD-ROM of the 2001 website; field notes in paper and digital format; and other office files generated by the project and Tom Rankin, one of the project co-directors