University of Texas at Austin - Harry Ransom Center
The Banquet Negatives and Prints collection forms a small but significant part of the E. O. (Eugene Omar) Goldbeck Papers and Photography Collection. It is comprised of 993 banquet-format nitrate negatives and three gelatin silver prints, the majority of which date from the mid-1910s through 1930, with a handful dating from 1946 and 1962. Many of the negatives were taken by Goldbeck, but also included are those he acquired from his contemporaries including C. W. (Charles W.) Archer, W. W. (Walter W.) Mitchell (1890-1928), and C. A. (Charles Albert) Stead (1870-2093). The images document a period of rapid growth and prosperity in San Antonio, Texas, as well as America's involvement in the First World War on the home front both on- and off-base. The impact of World War I is especially evident. Many military bases and fields were established in San Antonio to train men for service during the War, including Fort Travis, Brooks Field and Kelly Field, and more than one third of all the ...
Brigham Young University - Harold B. Lee Library
Collection includes four photographs, including a panoramic photograph of Provo, Utah, an aerial view of Brigham Young University, images of Provo businesses, and photographs of Kirtland, Ohio and Nauvoo, Illinois
Brigham Young University - Harold B. Lee Library
Collection contains the journals and personal histories of Austin George and Mildred Tobler Hunt. Also included are poems, stories, photographs, and letters written between Austin and Mildred Hunt. All materials were collected by Andrew and Charlene Hunt. Dated from 1930 to 2015
Brigham Young University - Harold B. Lee Library
Collection includes 372 photographs, 451 postcards, 271 glass plate negatives, 155 negatives, 14 lantern slides, 76 stereographs, and five panoramic photographs, taken or collected by J.M. Boutwell between the 1900s and the 1930s. Includes images of geologic specimens, rock formations, and landscapes
Brigham Young University - Harold B. Lee Library
Collection includes twenty-five photographs, including two panoramas of the Mexican border. Photographs include images of World War I-era soldiers and Pancho Villa